And these Jazz Standards often become or are built from commonly used chord progressions. Incredible chord progressions, amazing licks, serious technique and so much theory you could lose yourself! Mute string 1. Particularly recordings by Bob Wills and his Texas Playboys. I want to write a song for someone, I want to be able to dance swing to it, and I would like it if it would have a 1940's love song feel; however with a more contemporary vein (not to prevalent but enough to notice). The second half of the example illustrates a common descending bass chordal figure, featured in standards such as Bob Wills’ “Stay All Night.” Each chord voicing changes to adapt to the passing notes of the bass, implying some wonderfully sophisticated harmonic substitutions common in jazz. Lesson: An Intro to Hot Western Swing. Most of a song’s overall mood comes from whether it has a major or minor chordprogression. ivm7. You achieve this articulation by releasing pressure, or “bouncing,” in a subtle way, with your fretting-hand fingers. With this structured Jazz Swing Learning Track, you’ll learn essential techniques to becoming a jazz pianist. Video lessons week by week, Chord by Chord. Western Swing music therefore uses "thicker", more complex chord sounds. Swing Guitar - DVD 1 - Lesson One by Mike Dowling, Show the world what you are playing with ChordU. Playing lead chord breaks is a great way to add contrast to your leads and conclude a single-note solo. Master walking bass lines, chord voicings, embellishments, and improv over the 2 most important progressions in jazz: Cycle of 5ths & Turnaround. I don’t let any of the chords ring into each other. This week’s exercise, Example 5, is in the style of Christian’s work with the Benny Goodman sextet. Progressions as Modes of Communication In jazz, as in much of rock, the chord progression is essentially a fluid process; for example, there can technically be a separate chord for every note in a tune, and sometimes a chord change in the middle of a note! In the ’30s, the driving rhythms and playful, exuberant songs offered a temporary respite for dance hall participants hit hard by the Great Depression. Sometimes a song becomes so well known and widely played that it becomes a Jazz Standard. Rooted in swing and early blues, Christian’s lines were especially influenced by horn players, and exhibited a rhythmic drive that propelled the song forward. Ex. This approach takes advantage of the mid and low registers of the guitar; bass notes are round and fat, while the chords can cut through a full band. The third row is the First Level Chord Progression. In the following video, you can begin to explore the II-V-II-VI pattern. The electric guitar was still relatively new in the late ’30s and mid-’40s and was treated as novelty in the context of traditional string and horn bands. 2. Jazz, like every music genre, has its overused clichés and standard repertoire. Now, work through a chord progression in Example 2. Walk of Life. Chords, melody, and music theory ... Sultans of Swing by Dire Straits. Contributors: Quaeria, GarrettHardie, Josip and Vaz123. Practice this slowly and then try taking it to other keys so you’ll be able to use it in your repertoire. Practice this slowly and then try taking it to other keys so you’ll be able to use it in your repertoire. (as opposed to fingering the bass and then the chord). Playing lead chord breaks is a great way to add contrast to your leads and conclude a single-note solo. 1 contributor total, last edit on Jun 27, 2016. I / VI / II / V // C / A- / D- / G // This classic progression provided the basis for many jazz standards in the earlier half of the 20th century — especially those with chord progression known as “rhythm changes”, but also provides a great basis for some classic folk and R&B songs as well. … Classic Western-swing rhythm guitar blends a good moving bass line with colorful chord voicings. C7. This is a great device you can add to any solo in a swing or roots-blues style. Pioneered in the 1930s—most notably by Milton Brown and Bob Wills—and developed throughout the ’40s in the Southwest, the sound featured an abundance of great rhythm and lead guitar styles. This example mixes common blues vocabulary (measures 1-4) with more vertical, arpeggio approaches (measures 6-7). In the ’30s, the driving rhythms and playful, exuberant songs offered a temporary respite for dance hall participants hit hard by the Great Depression. 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